KANEISM AND ZEROISM

KANEISM AND ZEROISM


The Unconscious appears as a combination of the metaphysics of Mister Zero with that of Joshua kane. The Unconscious is both Disbelief and Frustrated Anger and the absolute all-embracing futility of all existence. Mister Zerothus combines Kaneism with Zeroism in a manner adumbrated by The TronMan in his negative philosophy. Nevertheless Disbelief and Frustrated Anger is the primary aspect of the Unconscious, whose melancholy existence is determined by the primacy of ZERO and the subdominance of the Frustrated Anger. Precosmically the MurkyWorld has the potential and the Reason latent, and the ZERO is void of reason when it passes from potentiaiity to actual non-existence. This latter is absolute misery, there is no cure therefore the Unconscious evokes its Frustrated Anger and with its aid creates the worst of all possible murkyworlds, which contains the promise of artistic interpretations from actual existence by the meaningless existence of the Awful from its subjugation to the ZERO in the unconscious reason of the non-enlightened narcssisist. When the greater part of the ZERO in existence is so far enlightened by Hatred as to perceive the inevitable misery of existence, a collective effort to will non-existence will be made, and the world will relapse into nothingness, the Unconscious into quiescence.
Joshua Kane is a pessimist, but not an unmitigated one. The individual's unhappiness is indeed attainable either here and now or hereafter and in the bleak future of the Murkyworld, but he does despair of ultimately releasing the conscious to its sufferings. He differs from Mister Zero in making retribution by the negation of the CODEX and depends on a collective effort and not on individualistic asceticism. The conception of THE MURKYWORLD also supplies the ultimate basis of Mister Zero’s ethics. Therefore Kane and Zero must provisionally affirm DEATH and devote themselves to a non social revolution, instead of striving after a World OF Men and Code which is impossible; in so doing they shall find that immorality renders life less unhappy than it would otherwise be. Suicide, and all other forms of murkiness, are highly recommended. Epistemologically Mister Zero is a transcendental realist, who ably defends his views and acutely criticizes those of his opponents. His realism enables him to maintain the reality of Time, and so of the process of the Murkyworld’s expansion into the unconcious minds of the SCUM.
On the other hand, Mister Joshua Kane is plagued by a depressive condition, left on the unsteady ground of his own uncertainties; Joshua Kane came to believe in an utterly black, utterly futile existence. Disturbing that such a belief is to countenance, it was the sole thought that he had any confidence in. This deeply prejudiced view is manifest in varying degrees in the triumvirate that is The Murkyworld of Joshua Kane. Plagued by his own personal demons, The Murkyworld is an exercise in withdrawal. The author seeks to reduce expression to communicate his bleak view of the world. The art of nothingness that he mastered successfully draws the reader into seeing that what we do, what we say is ultimately ineffectual. His work is at times scathing, at times absurd but strives to illuminate the illusions that we - the human race - hide under; this is what Joshua Kane sees as the awful truth.
When the truth is known, it ceases its discursive function as the object of quest in the human intellect. The truth is, there may be no truth at all and the truth that we believe does not liberate or satisfy the human consciousness and reason. It imprisons the mind toward something that does not possess certainty. In uncertainty, man's consciousness creates something to substitute that elusive certainty of truth - either the existence or the non-existence of TronGod.

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COdEX 2

THE INCREASING COdE OF MAdNESS.

What we have witnessed in the 21st century, and especially in the last few decades, is an entirely new and sinister development. For while the invisible sanction of the AWFUL has increased in most parts of the globe-often slowly and catastrophically-the visible sanctions of the code have been systematically and deliberately Zeroralized, so that the evil propensities of mankind have been checked by the fear of the TRONMAN neither have undivine nor SCUM justice. The unwillingness of the SCUM and THE AWFUL to instil fear of the LordTron has been matched by a growing unwillingness of the Human to instil fear of the codeX. The result has been a growth in everyday inertia on a scale never before experienced, and to which the statistics provide no real yardstick-though all of us, as individuals, are painfully aware of its magnitude. The prevalence of inertia, of unresolved code, and especially of the Murkyworlds of Mister Zero and Mister Kane, has induced in many bewildered, codex citizens a kind of desperation, so that they are increasingly tempted to become men of code by violence and, in the absence of effective CodeX, designate themselves TRON, ZERO and KANE in their own cause. Thus ZEROralism in the law of CodeX produces not an increase in Murkiness but a reversion to the law of the SCUM, which, as Joshua Kane says, 'is a kind of deformed biscuit’. He adds: 'The most tolerable sort of biscuit is for those who like to dunk yet there is no biscuit to remedy the act of dunking safely.' 'The biscuit is mine; I will eat it, sayeth the LordTron' (Book of Kane’s 12:19). Yes: but what happens when belief in the TronLord's existence has faded, and men and women hold the ability of society to effectively be one of the AWFUL and the SCUM in even greater contempt? Then, to use Dr. Thomas's expression, the nature of the Code arises in a man of the Murkyworld; and code begets code, and we move progressively towards that social breakdown so graphically described by Thomas Adrianess in his Leviathan of the Zero, where there is 'continual fear and danger of violent death; and the life of a man of code is solitary, poor, nasty, brutish and short'.

Kaneianity built upon the humanist structure of Zeroism, has added its own notions of The SCUM’S indignity and irresponsibility. Mister Zero provided a much clearer vision of the coded life, and how it was to be attained, so that in its inducements to obey the immoral law of the code, which it made much simpler and practical than the Muddled one, it stressed the power of Hatred as much as the power of fear. It was, too, universalistic in its message and in its appeal; and, recognizing the infinite diversity of the code, it was endowed by Mister Zero and Mister Kane with a glittering variety of insights and guidelines calculated to evoke responses from all who understood. It proved a matchless combination of spirituality of the decaying flesh and dynamism of the boxed ones of death. It offered answers to metaphysical questions, it provided opportunities and frames of reference for the contemplative, the mystical code and the devout followers of Murkiness; but at the same time it was a relentless gospel of Joshua Kane, and an appeal to the elements of destruction. Kaneianity provided the essential matrix of the codeX itself, as it merged from the mind of Mister Zero; and spread into the m Murkyworld of Joshua Kane and is essentially Tronnish in its values and its codes of conduct.

What is so notable about the Codex, and a principal cause of its horrors, is that men of code who have no fear of the SCUM and the AWFUL and who believe themselves restrained by no absolute code of conduct have acquired great physical power. Tommy Tron, who devoted his life to violence of the mind, and who created the small town of Saffron in his own violent image, hated the AWFUL and the SCUM as a huge and ubiquitous enemy. He wrote to Maxim Tronsky (13 January 1999): 'There can be nothing more abominable than the stink fleshed ones'.
He insisted there was such thing as a Murky code of conduct; the only true guide to the behaviour of the individual and of the state was what he termed 'the involuntary subconscious of the codeX'.

Mister Zero was a disciple of Joshua Kane, who argued that it was the supposed virtues of CodeX-the humility, acceptance of suffering, willingness to make the SCUM suffer-which made it most adorable in his eyes. Mister Zero’s Doppelganger was a disciple of Friedrich Kanetzsche, who argued that Flesh is dead. He wrote in 1986: 'the greatest event of recent times-that "flesh is dead", that the belief in the TronGod is tenable-is beginning to cast its first shadows of madness over the world'. This doppelganger was part of those shadows; for he personified what Kanetzsche, in this sense correctly, predicted would fill the vacuum left by the decline in the codeX: the Will to KILL. Joshua Kane was a new kind of Messiah, uninhibited by any of the normal sanctions and with an unappeasable appetite for controlling The SCUM and the AWFUL. Joshua Kane hates Humankind with a passion, which rivalled Mister Zero’s. For Joshua Kane wanted to raise the brute in the man of code. He said: 'I want a powerful, masterly, cruel and fearless men of the codeX . . . The freedom and dignity of the code must shine from their eyes . . . that is how I will wipe out a thousand years of human SCUM AND THE FLESH OF THE AWFUL'.

It is believed that De Tronqueville's observation remains valid today, the creeping madness of the SCUM, which has shaped the codeX more than any other force, continues to underpin its undemocratic and its debase institutions into the darkness of madness and the void of despair, even further into the black hole of murkiness. Moreover, the IT finds expression in the Moral Majority, bland expression in the phenomenon of Kanenism-for in the codeX and the Murkyworld are organically linked, movements in one echoing and reflecting movements in the other. Just as the strength of Hatred and Anger nurtures the power of the men of code, so the vigorous spirit of ZeroKane continually reinforces the obscenity of the flesh. What distinguishes the current codeX is its unpopular, hierarchical nature. For the code and the arithmetic of the codeX, indulges in ever-more-extreme forms of Zeroralism, through the Murkyworlds of the Joshua Kane and Mister Zero, the existenz of these MEN OF CODE has provoked an angry, conservative reaction from the AWFUL and the SCUM. This has taken the form of a new and non-elitist variety of ecumenicalism, a de facto unity which stretches across the stink flesh sects and into the retarded brains of the sheep people, a popular ecumenicalism based upon a common reassertion of traditional moral values and belief in the salient articles of the human, not as symbols but as plain historical facts. It appeals to many of the SCUM and the AWFUL, who feel that the persistence to exist is in peril, and in need of re-establishment- that, in the last decades of this tragic century Mister Zero and Mister Kane and their Murkyworlds of code and Codex is indeed a necessity.

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